Japanese Economic Association Presidents of the Japanese Economic Association External links Navigation menuHomepagee

Multi tool use
Multi tool use

Business and finance professional associationsEconomics societiesProfessional associations based in Japan


JapaneseeconomistsTheoretical Economic AssociationJapanese Econometric AssociationJapan Association of Economics and EconometricsTakenori InokiNakahara PrizeNobuyuki Nakahara

















Japanese Economic Association
Formation1934
Headquarters
Chiyoda, Tokyo, Japan
Region served
Japan
Members
3,200
President
Fumio Hayashi
Websitehttp://www.jeaweb.org/eng/

The Japanese Economic Association is the professional body of Japanese economists. The Japanese Economic Association is the largest, with more than 3,000 members, among academic economic associations in Japan. The Association is also one of the oldest, founded in 1934. The Association was reorganized as the Theoretical Economic Association and the Japanese Econometric Association. These two Associations were reunited as the Japan Association of Economics and Econometrics in 1968. The original name of the Association was restored in 1997. Its current president is Takenori Inoki. It publishes the Japanese Economic Review.


The Association created an official prize, the Nakahara Prize, for the first time in 1995, named after its sponsor Nobuyuki Nakahara. The aim of the prize is honoring and encouraging young (under 45 years) economists to publish internationally well-recognized papers and books.



Presidents of the Japanese Economic Association



  • Ichiro Nakayama, 1968-1970


  • Takuma Yasui, 1970-1971


  • Fukukane Nikaido, 1978-1979


  • Nobuo Okishio, 1979-1980


  • Kenichi Miyazawa, 1981-1982


  • Takashi Negishi, 1985-1986


  • Syoujiro Fujino, 1986-1987


  • Masahiro Tatemoto, 1987-1988


  • Yoichi Shinkai, 1988-1989


  • Hirofumi Uzawa, 1989-1990


  • Shinji Moriguchi,1990-1991


  • Akihiro Amano, 1992-1993


  • Koichi Hamada, 1994-1995


  • Masahiko Aoki, 1995-1996


  • Keimei Kaizuka, 1996-1997


  • Michio Hatanaka, 1997-1998


  • Michihiro Oyama, 1998-1999


  • Kotaro Suzumura, 1999-2000


  • Kazuo Nishimura, 2000-2001


  • Masahiro Okuno-Fujiwara, 2001-2002


  • Hiroshi Yoshikawa, 2002-2003


  • Tatsuo Hatta, 2003-2004


  • Takatoshi Ito, 2004-2005


  • Toshiaki Tachibanaki, 2005-2006


  • Kimio Morimune, 2006-2007


  • Takenori Inoki, 2007-2008


  • Makoto Yano, 2008-2009


  • Masahisa Fujita, 2009-2010


  • Toshihiro Ihori, 2010-2011


  • Kazuo Ueda, 2011-2012


  • Yoshio Higuchi, 2012-2013


  • Yuzo Honda, 2013-2014


  • Akira Okada, 2014-2015


  • Kazuo Mino, 2015-2016


  • Akihiko Matsui, 2016-2017


  • Michihiro Kandori, 2017-2018


  • Fumio Hayashi, 2018-


External links


  • Homepage







JFt1yKvAGRH14TR1Wv lqCKuujh7JBSw,5GsOMxPNKjlQRH5bp9
roWg6xDNI1fcUXlcBiUMKtpmtZ

Popular posts from this blog

Football at the 1986 Brunei Merdeka Games Contents Teams Group stage Knockout stage References Navigation menu"Brunei Merdeka Games 1986".

Solar Wings Breeze Design and development Specifications (Breeze) References Navigation menu1368-485X"Hang glider: Breeze (Solar Wings)"e

Kathakali Contents Etymology and nomenclature History Repertoire Songs and musical instruments Traditional plays Styles: Sampradayam Training centers and awards Relationship to other dance forms See also Notes References External links Navigation menueThe Illustrated Encyclopedia of Hinduism: A-MSouth Asian Folklore: An EncyclopediaRoutledge International Encyclopedia of Women: Global Women's Issues and KnowledgeKathakali Dance-drama: Where Gods and Demons Come to PlayKathakali Dance-drama: Where Gods and Demons Come to PlayKathakali Dance-drama: Where Gods and Demons Come to Play10.1353/atj.2005.0004The Illustrated Encyclopedia of Hinduism: A-MEncyclopedia of HinduismKathakali Dance-drama: Where Gods and Demons Come to PlaySonic Liturgy: Ritual and Music in Hindu Tradition"The Mirror of Gesture"Kathakali Dance-drama: Where Gods and Demons Come to Play"Kathakali"Indian Theatre: Traditions of PerformanceIndian Theatre: Traditions of PerformanceIndian Theatre: Traditions of PerformanceIndian Theatre: Traditions of PerformanceMedieval Indian Literature: An AnthologyThe Oxford Companion to Indian TheatreSouth Asian Folklore: An Encyclopedia : Afghanistan, Bangladesh, India, Nepal, Pakistan, Sri LankaThe Rise of Performance Studies: Rethinking Richard Schechner's Broad SpectrumIndian Theatre: Traditions of PerformanceModern Asian Theatre and Performance 1900-2000Critical Theory and PerformanceBetween Theater and AnthropologyKathakali603847011Indian Theatre: Traditions of PerformanceIndian Theatre: Traditions of PerformanceIndian Theatre: Traditions of PerformanceBetween Theater and AnthropologyBetween Theater and AnthropologyNambeesan Smaraka AwardsArchivedThe Cambridge Guide to TheatreRoutledge International Encyclopedia of Women: Global Women's Issues and KnowledgeThe Garland Encyclopedia of World Music: South Asia : the Indian subcontinentThe Ethos of Noh: Actors and Their Art10.2307/1145740By Means of Performance: Intercultural Studies of Theatre and Ritual10.1017/s204912550000100xReconceiving the Renaissance: A Critical ReaderPerformance TheoryListening to Theatre: The Aural Dimension of Beijing Opera10.2307/1146013Kathakali: The Art of the Non-WorldlyOn KathakaliKathakali, the dance theatreThe Kathakali Complex: Performance & StructureKathakali Dance-Drama: Where Gods and Demons Come to Play10.1093/obo/9780195399318-0071Drama and Ritual of Early Hinduism"In the Shadow of Hollywood Orientalism: Authentic East Indian Dancing"10.1080/08949460490274013Sanskrit Play Production in Ancient IndiaIndian Music: History and StructureBharata, the Nāṭyaśāstra233639306Table of Contents2238067286469807Dance In Indian Painting10.2307/32047833204783Kathakali Dance-Theatre: A Visual Narrative of Sacred Indian MimeIndian Classical Dance: The Renaissance and BeyondKathakali: an indigenous art-form of Keralaeee