Knoel Scott Contents Background Sun Ra Arkestra Other collaborators Return to Sun Ra & present References External links Navigation menu"Knoel Scott""Knoel Scott Biography""SUN RA & ME: saxophonist Knoel Scott tells SJF about his time with the legendary bandleader""Concert Review: The Sun Ra Arkestra""Knoel Scott takes on tradition at the 100 Club""Knoel Scott Quartet, 5th November, 100 Club, London"Official website"Interview with Knoel Scott – Part 1""Interview with Knoel Scott – Part 2""Interview with Knoel Scott – Part 3""Knoel Scott – Interview by Alexander McLean""Knoel Scott Jazz Organ Trio""Knoel Scott / Sun Ra Arkestra Interview – Jazz.. A Spiritual Music"

1956 birthsLiving peopleAfrican-American jazz musicians


jazzSun RaMarshall AllenBaltimoreMarylandJamaica, QueensQueens CollegeState University of New York at Old WestburyJazzmobileFrank FosterCharles DavisJohn StubblefieldLisle AtkinsonOlu DaraJack McDuffAndy RazafNat WilliamsDon PullenJohn HicksCharles EarlandVictor DavisTommy TurrentineJerry GonzálezLeon Thomas100 Club














Knoel Scott
Knoel Scott.jpg
Background information
BornJuly 18, 1956
Jamaica, New York
Genres
Jazz, avant-garde jazz
Occupation(s)Jazz musician, composer, bandleader
LabelsEl Saturn Records
Associated acts
Sun Ra Arkestra, Knoel Scott Quartet

Knoel Scott (born July 18, 1956)[1] is an American jazz saxophonist, composer and bandleader. He plays baritone, tenor and alto saxophone in addition to flute, while his live performances often include singing and dancing. He is best known for his work with keyboardist/bandleader Sun Ra and is an original member of the Sun Ra Arkestra under the direction of Marshall Allen.




Contents





  • 1 Background


  • 2 Sun Ra Arkestra


  • 3 Other collaborators


  • 4 Return to Sun Ra & present


  • 5 References


  • 6 External links




Background


Knoel Scott was born Noel Scott on July 18, 1956 in Baltimore, Maryland, to Brooks and Kathaniel Walker Scott. His father Brooks Scott is listed as deceased on Scott's birth certificate, and he was raised by Robert and Edith Nero in Jamaica, Queens. [1] Scott studied at Queens College from 1974 to 1976, and also at State University of New York at Old Westbury, where he graduated in 1979. [1][2] Scott studied additionally at Jazzmobile with such musicians as Frank Foster, Charles Davis, John Stubblefield and Lisle Atkinson.[3]



Sun Ra Arkestra


Scott auditioned for Sun Ra in July 1979, having first heard the Arkestra at the Beacon Theatre in 1977–78. Scott said in a 2011 interview that he "immediately decided that membership in the Arkestra would be [his] life's dream."[3] He subsequently began recording and touring with the Sun Ra Arkestra.



Other collaborators


Between 1981 and 1988, Scott worked with a variety of musicians including Olu Dara, Seleno Clarke, Bobby Forrester, Jack McDuff, Andy Razaf, Freddie Drew, Nat Williams, Don Pullen and John Hicks, Larry "'88 keys" Keyes, Jimmy "Preacher" Robbins, Charles Earland, Victor Davis, Tommy Turrentine, Jerry González, Bucky Thorpe, Panama Wallace, Buddy Mack, Jann Parker, Leon Thomas, and many others.[1][2]



Return to Sun Ra & present


In 1988 Sun Ra invited Scott back to the Arkestra, to fill a reed-section chair temporarily vacant during an absence of Marshall Allen. Scott retained that chair to the present day — usually playing alto sax but occasionally tenor or his native baritone. Sun Ra also encouraged Scott to dance and sing, and in a 2012 review of the Arkestra for two.one.five Magazine, Elija Bliss says: "Vocalist and saxophonist Knoel Scott's voice, honeyed with just the right amount of gravel, echoed clear across the field, melding with the big brass of the Arkestra's horn section, coaxing patrons from their lawn chairs to the grassy dance floor. After all, music that swings this hard just can't be listened to sitting down."[4]


Reviewing a 2015 appearance by the Knoel Scott Quartet (KSQ) at the 100 Club in London, Kevin Le Gendre wrote: "Although his main CV credit, mainstay of the Sun Ra Arkestra for the best part of four decades, may suggest that he comes from one of the most singular of locations on the landscape of African-American music, the saxophonist unveils a much wider set of references. In his tails and engaging stage presence we see a shade of Cab Calloway; in the unabashed romanticism of his singing, particularly on the second set highlight 'Don't Misunderstand' we feel the spirit of Nat 'King' Cole; and in the bulk of the material we hear extensions of Charlie Parker and Dizzy Gillespie’s bebop innovations.... Scott, and this is the most impressive thing about the performance, provides an all too rare display of how all of the aforesaid disparate historic characters are part of a bigger, coherent story."[5]


Matthew Ruddick's review of the same evening reads in part: "the audience is treated to fluid brew of bop, swing, [L[atin strolls and free jazz fireworks. There is a whiff of Pharaoh Sanders in Scott's alto sax [...] Scott is a bit of a mover and he throws a few shapes whilst his charges show off their chops. He is also blessed with a fine bluesy baritone voice and he managed to bathe the room in film noire [sic] longing..."[6]



References




  1. ^ abcd "Knoel Scott", Encyclopedia of Jazz Musicians, via AllAboutJazz.


  2. ^ ab "Knoel Scott Biography", official website.


  3. ^ ab Charles Waring, "SUN RA & ME: saxophonist Knoel Scott tells SJF about his time with the legendary bandleader", Soul and Jazz and Funk, August 26, 2011.


  4. ^ "Concert Review: The Sun Ra Arkestra". two.one.five magazine. 2012-08-01. Retrieved 2017-10-02..mw-parser-output cite.citationfont-style:inherit.mw-parser-output .citation qquotes:"""""""'""'".mw-parser-output .citation .cs1-lock-free abackground:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png")no-repeat;background-position:right .1em center.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration abackground:url("//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png")no-repeat;background-position:right .1em center.mw-parser-output .citation .cs1-lock-subscription abackground:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png")no-repeat;background-position:right .1em center.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registrationcolor:#555.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration spanborder-bottom:1px dotted;cursor:help.mw-parser-output .cs1-ws-icon abackground:url("//upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Wikisource-logo.svg/12px-Wikisource-logo.svg.png")no-repeat;background-position:right .1em center.mw-parser-output code.cs1-codecolor:inherit;background:inherit;border:inherit;padding:inherit.mw-parser-output .cs1-hidden-errordisplay:none;font-size:100%.mw-parser-output .cs1-visible-errorfont-size:100%.mw-parser-output .cs1-maintdisplay:none;color:#33aa33;margin-left:0.3em.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-formatfont-size:95%.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-leftpadding-left:0.2em.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-rightpadding-right:0.2em


  5. ^ Kevin Le Gendre, "Knoel Scott takes on tradition at the 100 Club", Jazzwise, 2015-11-12. Retrieved 2017-10-02.


  6. ^ Ruddick, Matthew (2015-11-22). "Knoel Scott Quartet, 5th November, 100 Club, London". Kind of Jazz. Retrieved 2017-10-02.




External links


  • Official website

  • Sammy Stein, "Interview with Knoel Scott – Part 1", "Interview with Knoel Scott – Part 2", "Interview with Knoel Scott – Part 3", Jazz in Europe, October 14–16, 2015.


  • "Knoel Scott – Interview by Alexander McLean", Perfect Sound Forever, December 2015.


  • "Knoel Scott Jazz Organ Trio", Cafe Oto.


  • "Knoel Scott / Sun Ra Arkestra Interview – Jazz.. A Spiritual Music", YouTube video.


-

Popular posts from this blog

Solar Wings Breeze Design and development Specifications (Breeze) References Navigation menu1368-485X"Hang glider: Breeze (Solar Wings)"e

Ace MagicMainair BladeMainair RapierP&M ExplorerP&M GT450P&M PulsRPegasus QuantumPegasus QuikSolar Wings AceSolar Wings BreezeSolar Wings FeverSolar Wings RumourSolar Wings RushSolar Wings ScandalSolar Wings StormSolar Wings TyphoonSolar Wings Whisper Solar Wings aircraftHang gliders Britishhigh-winghang gliderSolar WingsManton, WiltshirealuminumDacroncable bracedkingpostaspect ratio Solar Wings Breeze Role Hang glider National origin United Kingdom Manufacturer Solar Wings Introduction 1996 Status Production completed Unit cost £2,038 (2004) The Solar Wings Breeze is a British high-wing, single-place, hang glider that was designed and produced by Solar Wings of Manton, Wiltshire starting in 1996. Now out of production, when it was available the aircraft was supplied complete and ready-to-fly. [1] [2] Design and development The Breeze was designed as an easy to fly intermediate glider. It is made from aluminum tubing, with the double-surface wing covered in Dacron s...
Read more

Kathakali Contents Etymology and nomenclature History Repertoire Songs and musical instruments Traditional plays Styles: Sampradayam Training centers and awards Relationship to other dance forms See also Notes References External links Navigation menueThe Illustrated Encyclopedia of Hinduism: A-MSouth Asian Folklore: An EncyclopediaRoutledge International Encyclopedia of Women: Global Women's Issues and KnowledgeKathakali Dance-drama: Where Gods and Demons Come to PlayKathakali Dance-drama: Where Gods and Demons Come to PlayKathakali Dance-drama: Where Gods and Demons Come to Play10.1353/atj.2005.0004The Illustrated Encyclopedia of Hinduism: A-MEncyclopedia of HinduismKathakali Dance-drama: Where Gods and Demons Come to PlaySonic Liturgy: Ritual and Music in Hindu Tradition"The Mirror of Gesture"Kathakali Dance-drama: Where Gods and Demons Come to Play"Kathakali"Indian Theatre: Traditions of PerformanceIndian Theatre: Traditions of PerformanceIndian Theatre: Traditions of PerformanceIndian Theatre: Traditions of PerformanceMedieval Indian Literature: An AnthologyThe Oxford Companion to Indian TheatreSouth Asian Folklore: An Encyclopedia : Afghanistan, Bangladesh, India, Nepal, Pakistan, Sri LankaThe Rise of Performance Studies: Rethinking Richard Schechner's Broad SpectrumIndian Theatre: Traditions of PerformanceModern Asian Theatre and Performance 1900-2000Critical Theory and PerformanceBetween Theater and AnthropologyKathakali603847011Indian Theatre: Traditions of PerformanceIndian Theatre: Traditions of PerformanceIndian Theatre: Traditions of PerformanceBetween Theater and AnthropologyBetween Theater and AnthropologyNambeesan Smaraka AwardsArchivedThe Cambridge Guide to TheatreRoutledge International Encyclopedia of Women: Global Women's Issues and KnowledgeThe Garland Encyclopedia of World Music: South Asia : the Indian subcontinentThe Ethos of Noh: Actors and Their Art10.2307/1145740By Means of Performance: Intercultural Studies of Theatre and Ritual10.1017/s204912550000100xReconceiving the Renaissance: A Critical ReaderPerformance TheoryListening to Theatre: The Aural Dimension of Beijing Opera10.2307/1146013Kathakali: The Art of the Non-WorldlyOn KathakaliKathakali, the dance theatreThe Kathakali Complex: Performance & StructureKathakali Dance-Drama: Where Gods and Demons Come to Play10.1093/obo/9780195399318-0071Drama and Ritual of Early Hinduism"In the Shadow of Hollywood Orientalism: Authentic East Indian Dancing"10.1080/08949460490274013Sanskrit Play Production in Ancient IndiaIndian Music: History and StructureBharata, the Nāṭyaśāstra233639306Table of Contents2238067286469807Dance In Indian Painting10.2307/32047833204783Kathakali Dance-Theatre: A Visual Narrative of Sacred Indian MimeIndian Classical Dance: The Renaissance and BeyondKathakali: an indigenous art-form of Keralaeee

Image
Parai AttamNatarajaTandavaRasa lilaLasyaBollywood song and danceHindi dance songsNautchAndhra PradeshAssamHimachal PradeshOdishaPunjabTamil NaduMizoramKerala KalamandalamKerala Lalitakala AcademyKerala Sangeetha Nadaka Academy, ThrissurKerala Folklore AcademyKshetram vadyamKuzhal PattuMappila PaattuPanchari melamPanchavadyamPandi MelamParisha VadyamPulluvan PaattuSopanamThayambakaKerala mural paintingKalaripayattuSarpa KavuTharavadTemplatesPortalCategoryWikiProject KathakaliTheatre in IndiaArts of KeralaClassical theatre of india Malayalamclassical Indian danceMalayalamKeralaCEHindu templesPuranasNatya ShastraNatya ShastraBharataShivaMalayalamKeralaShivaKrishnaKrishnaJayadevaoperaticKrishnaVishnuRamaShivaSuryaYudhishthiraArjunaNalaRavanaDushasanaHiranyakashipuSitaHanumanGarudaHamsaGuṇaSamkhyaHindu philosophysign languagemudrasUnnayi VariyarplaywrightsNalaDamayantimusical modeChristianityMiguel de CervantesJohann Wolfgang von GoetheWilliam ShakespeareGurukulTravancorePalakkadBrahmi...
Read more

Method to test if a number is a perfect power? Announcing the arrival of Valued Associate #679: Cesar Manara Planned maintenance scheduled April 23, 2019 at 00:00UTC (8:00pm US/Eastern)Detecting perfect squares faster than by extracting square rooteffective way to get the integer sequence A181392 from oeisA rarely mentioned fact about perfect powersHow many numbers such $n$ are there that $n<100,lfloorsqrtn rfloor mid n$Check perfect squareness by modulo division against multiple basesFor what pair of integers $(a,b)$ is $3^a + 7^b$ a perfect square.Do there exist any positive integers $n$ such that $lfloore^nrfloor$ is a perfect power? What is the probability that one exists?finding perfect power factors of an integerProve that the sequence contains a perfect square for any natural number $m $ in the domain of $f$ .Counting Perfect Powers

Image
Proof of work - 51% attack Would it be possible to dictate a bech32 address as a list of English words? How do I find out the mythology and history of my Fortress? Sentence order: Where to put もう Is there any word for a place full of confusion? Do wooden building fires get hotter than 600°C? What does it mean that physics no longer uses mechanical models to describe phenomena? Project Euler #1 in C++ How fail-safe is nr as stop bytes? Why does it sometimes sound good to play a grace note as a lead in to a note in a melody? How to draw/optimize this graph with tikz How much damage would a cupful of neutron star matter do to the Earth? What would you call this weird metallic apparatus that allows you to lift people? Importance of からだ in this sentence "Lost his faith in humanity in the trenches of Verdun" — last line of an SF story A term for a woman complaining about things/begging in a cute/childish way How to ...
Read more