Slovenian National Defense Corps Background Activity References Navigation menuTo Walk with the DevilTo Walk with the DevilTo Walk with the Devilexpanding ite

Multi tool use
Multi tool use

Military of SloveniaSlovenian collaborators with Nazi GermanySlovenia in World War IICollaboration during World War IISlovenia stubs


SloveneGermanSlovene PartisansOperation Zone of the Adriatic LittoralItalyAnton KokaljOdilo GlobocnikSlovene Home GuardProvince of LjubljanaSlovene minority in Italy (1920–1947)ItalianizationProvince of LjubljanaLiberation Front of the Slovene NationBoris Pahor














Slovenian National Defense Corps

The sign of the Slovenian National Defense Corps
The sign of the Slovenian National Defense Corps

Active1943–1945
CountryItaly
Allegiance
 Nazi Germany
Sizeabout 3,500 at its height
Commanders
Notable
commanders
Anton Kokalj

The Slovenian National Defense Corps (Slovene: Slovensko narodno varnostni zbor; German: Slowenisches Nationales Schutzkorps) was an anti-Slovene Partisans military organization that was active in the territory of the Operation Zone of the Adriatic Littoral in the German-occupied portion of Italy. Although led by Anton Kokalj, it was directly subordinated to German Nazi commander Odilo Globocnik.[1] The organization was ideologically and organizationally linked to the Slovene Home Guard that was active in Province of Ljubljana.



Background


The organization had problems recruiting from the Slovene minority in Italy (1920–1947) that has had experienced Fascist Italianization already for almost two decades. So most of its officers instead came from Province of Ljubljana. At their peak, the organization had only about 2000 members.[2]



Activity


They provided Germans with lists of locations of Liberation Front of the Slovene Nation hideouts and suspicious individuals (described as "propagandist", "husband is a Communist").[3]


At the time Boris Pahor, now an internationally best known Slovene writer from Trieste and concentration camp survivor, has been handed over and sent to the camps in Germany, another 600 persons were also handed over to the Germans by them.



References




  1. ^ Kranjc, Joseph G. (2013). To Walk with the Devil, University of Toronto Press, .mw-parser-output cite.citationfont-style:inherit.mw-parser-output .citation qquotes:"""""""'""'".mw-parser-output .citation .cs1-lock-free abackground:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png")no-repeat;background-position:right .1em center.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration abackground:url("//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png")no-repeat;background-position:right .1em center.mw-parser-output .citation .cs1-lock-subscription abackground:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png")no-repeat;background-position:right .1em center.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registrationcolor:#555.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration spanborder-bottom:1px dotted;cursor:help.mw-parser-output .cs1-ws-icon abackground:url("//upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Wikisource-logo.svg/12px-Wikisource-logo.svg.png")no-repeat;background-position:right .1em center.mw-parser-output code.cs1-codecolor:inherit;background:inherit;border:inherit;padding:inherit.mw-parser-output .cs1-hidden-errordisplay:none;font-size:100%.mw-parser-output .cs1-visible-errorfont-size:100%.mw-parser-output .cs1-maintdisplay:none;color:#33aa33;margin-left:0.3em.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-formatfont-size:95%.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-leftpadding-left:0.2em.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-rightpadding-right:0.2em
    ISBN 1442613300



  2. ^ Kranjc, Joseph G. (2013). To Walk with the Devil, University of Toronto Press,
    ISBN 1442613300



  3. ^ Kranjc, Joseph G. (2013). To Walk with the Devil, University of Toronto Press,
    ISBN 1442613300









rD33KRCe7lMlpnhna30 uldtTzlTaIyH0gspefVFlOxO
tKK8dnoI5p5PPQwiXW4VTh4Dxwwu8fW0C6olI

Popular posts from this blog

Football at the 1986 Brunei Merdeka Games Contents Teams Group stage Knockout stage References Navigation menu"Brunei Merdeka Games 1986".

Solar Wings Breeze Design and development Specifications (Breeze) References Navigation menu1368-485X"Hang glider: Breeze (Solar Wings)"e

Kathakali Contents Etymology and nomenclature History Repertoire Songs and musical instruments Traditional plays Styles: Sampradayam Training centers and awards Relationship to other dance forms See also Notes References External links Navigation menueThe Illustrated Encyclopedia of Hinduism: A-MSouth Asian Folklore: An EncyclopediaRoutledge International Encyclopedia of Women: Global Women's Issues and KnowledgeKathakali Dance-drama: Where Gods and Demons Come to PlayKathakali Dance-drama: Where Gods and Demons Come to PlayKathakali Dance-drama: Where Gods and Demons Come to Play10.1353/atj.2005.0004The Illustrated Encyclopedia of Hinduism: A-MEncyclopedia of HinduismKathakali Dance-drama: Where Gods and Demons Come to PlaySonic Liturgy: Ritual and Music in Hindu Tradition"The Mirror of Gesture"Kathakali Dance-drama: Where Gods and Demons Come to Play"Kathakali"Indian Theatre: Traditions of PerformanceIndian Theatre: Traditions of PerformanceIndian Theatre: Traditions of PerformanceIndian Theatre: Traditions of PerformanceMedieval Indian Literature: An AnthologyThe Oxford Companion to Indian TheatreSouth Asian Folklore: An Encyclopedia : Afghanistan, Bangladesh, India, Nepal, Pakistan, Sri LankaThe Rise of Performance Studies: Rethinking Richard Schechner's Broad SpectrumIndian Theatre: Traditions of PerformanceModern Asian Theatre and Performance 1900-2000Critical Theory and PerformanceBetween Theater and AnthropologyKathakali603847011Indian Theatre: Traditions of PerformanceIndian Theatre: Traditions of PerformanceIndian Theatre: Traditions of PerformanceBetween Theater and AnthropologyBetween Theater and AnthropologyNambeesan Smaraka AwardsArchivedThe Cambridge Guide to TheatreRoutledge International Encyclopedia of Women: Global Women's Issues and KnowledgeThe Garland Encyclopedia of World Music: South Asia : the Indian subcontinentThe Ethos of Noh: Actors and Their Art10.2307/1145740By Means of Performance: Intercultural Studies of Theatre and Ritual10.1017/s204912550000100xReconceiving the Renaissance: A Critical ReaderPerformance TheoryListening to Theatre: The Aural Dimension of Beijing Opera10.2307/1146013Kathakali: The Art of the Non-WorldlyOn KathakaliKathakali, the dance theatreThe Kathakali Complex: Performance & StructureKathakali Dance-Drama: Where Gods and Demons Come to Play10.1093/obo/9780195399318-0071Drama and Ritual of Early Hinduism"In the Shadow of Hollywood Orientalism: Authentic East Indian Dancing"10.1080/08949460490274013Sanskrit Play Production in Ancient IndiaIndian Music: History and StructureBharata, the Nāṭyaśāstra233639306Table of Contents2238067286469807Dance In Indian Painting10.2307/32047833204783Kathakali Dance-Theatre: A Visual Narrative of Sacred Indian MimeIndian Classical Dance: The Renaissance and BeyondKathakali: an indigenous art-form of Keralaeee